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2023 EDITION

Chromatic Chronicles of Resistance

Story by Alejandro Mendoza




Chromatic Chronicles of Resistance



In Alejandro Mendoza's daring collection, "Chromatic Chronicles of Resistance", the world sees a vibrant yet defiant depiction of indigenous rights and land disputes. Mendoza, himself a descendant of the K'iche' people, illuminates the depths of cultural heritage and resilience found within Guatemala's indigenous communities. Through his lens, we witness not just the struggle, but the fight, expressed in vibrant colors, tradition, and resistance.

Mendoza masterfully employs the use of color as both a metaphor and a tool for storytelling. Each hue echoes a narrative: the reds for the land soaked in blood, the blues for the rivers diverted by industry, and the greens for the lush, endangered landscapes. His images turn the strife into a visual tapestry of persistence and defiance. The project's common thread is the human spirit's tenacity, seen in the faces of those who resist, their hands holding onto their ancestral land, their eyes reflecting centuries-old wisdom.

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Alejandro Mendoza

About the photographer

Born into the verdant highlands of Guatemala, Alejandro Mendoza comes from the K'iche' Maya, one of the many vibrant indigenous communities thriving within the country's heartland. For Alejandro, photography was never a mere hobby; it was a visceral calling, one that flowed as naturally as the stories his grandmother whispered into his ears under the starlit Guatemalan sky.

From a young age, Alejandro was drawn to the vivid hues and intricate patterns of his culture's traditional textiles, the vibrant colors weaving tales of age-old resistance and resilience. This fascination seeped into his photographic work, making color not just a tool but the lifeblood of his visual narratives.

Alejandro studied Fine Arts at the Universidad de San Carlos de Guatemala, where he honed his unique approach to storytelling through photography. His oeuvre evolved from mere documentation to visual advocacy, chronicling the triumphs and tribulations of indigenous communities caught in the throes of land disputes.

Alejandro’s work is underlined by his profound respect for his people's symbiotic relationship with their land. His images exude a palpable connection to the earth, echoing the ancient Mayan belief that humans are made from maize, and therefore, are intrinsically bound to the soil. This philosophical foundation shapes Alejandro's work, adding layers of depth to his visual narratives.

Throughout his career, Alejandro has strived to bring the plight and resilience of his people to the forefront. His work is a celebration of indomitable spirit, a testament to the vibrant cultures flourishing amidst adversity. He has received numerous awards and commendations for his art, notably for his exceptional use of color and composition to depict poignant socio-political narratives.

Alejandro is not just a photojournalist; he is an advocate, an archivist, and an interpreter, transmuting the cries for justice into a visual symphony of resistance. His camera becomes a catalyst for change, revealing the rich tapestry of indigenous lives struggling against corporate encroachment and societal indifference.

His work speaks to our collective conscience, reminding us of the urgent need for justice and equity in indigenous land rights. His arresting imagery invites us to witness, to empathize, and to act. Through his lens, Alejandro Mendoza elevates photojournalism into a vibrant form of protest, a powerful beacon of hope illuminating the struggle of his people.



Photos in this series

The first photograph is a striking close-up of an elderly indigenous woman, her wrinkles resembling contours of an ancient map. The warm glow of twilight accentuates her traditional clothing, richly woven with vibrant hues. Her eyes, softly illuminated, tell stories of wisdom and endurance. The second image portrays a group of indigenous children draped in ceremonial attire, their faces painted in bold colors. Against a backdrop of lush green forest, the children seem like beautiful anomalies, their colors radiating life and hope amidst the encroaching shadows of the forest. The third photograph captures a moment of powerful protest, the crowd's mass of vibrantly clothed bodies contrasting sharply against a steel-gray factory looming in the distance. The angular composition emphasizes the human blockade formed against the cold, sterile lines of the industrial complex. The fourth image is a breathtaking panorama of terraced fields - an intricate patchwork of greens and yellows descending towards a sparkling river. The setting sun casts long shadows, accentuating the furrows, while a lone figure in vibrant traditional dress stands in stark contrast, embodying resilience and attachment to the land. The fifth image shows a group of indigenous elders huddled in a semi-circle, their faces lit by the warm glow of a campfire. The textures of weathered skin and traditional dress are highlighted, painting a poignant picture of community strength, unity, and enduring tradition. The final image is a powerful portrait of a young indigenous woman, her face adorned with traditional paint, fiercely gazing into the camera. Her hand grips a handful of soil, the dark earth cascading between her fingers. The juxtaposition of her vibrant attire against the brown earth provides a striking contrast, symbolizing the desperate yet vibrant struggle for land rights.